Animate gets a proper workspace: bring in captures you already have, arrange them as scenes, choose a look, and export when it reads well. In the editor, new Cursor Studio controls give the recorded pointer a natural tilt, a trail, an idle fade, click sounds, and even a pointer image of your own. The camera also picks up 14 new animated backdrops, and Home was reorganized so your next step is one click away.
\nTwo additions to the editor: WebM joins the export formats, and Remove Logo can now measure a see-through badge and subtract it, so the picture underneath comes back instead of being painted over.
\nEvery music visual in OwnClip has been rebuilt: real materials that catch the light, mirror floors, shafts of light and depth of field, plus three new looks. Music you make in the AI Studio can now become a finished video without leaving the screen.
\nHeavy AI features now share your Mac more gracefully. OwnClip runs one demanding task at a time and eases off when your Mac runs warm or is on battery saver, so the app stays responsive while it works. The AI Studio also gets a visual refresh and new one-tap ways to shape your music.
\nA big upgrade to AI Music Video: your scenes now move with real camera work and depth parallax, cut between each other with beat-synced transitions that vary with the song, and the reactive overlay is finally smart. It recolors to each scene and glows around your subject.
\nAI Music Video stays on, and this build deepens the internal diagnostics around its render so that if anything ever goes wrong on your Mac, the report tells us the exact step it happened. Continued stability work under the hood.
\nThe AI Music Video studio returns. Turn a track into generated scenes cut to the beat. We're continuing deep stability work on its render under the hood, and this build carries better internal diagnostics so any remaining issue tells us exactly where it happened.
\nAI Music Video is temporarily unavailable while we finish a fix for renders that stalled on long tracks. Everything else in OwnClip is unaffected.
\nA follow-up to yesterday's Music Video fix. We turned the depth-motion effect back off. On real runs it was loading too slowly to actually apply, and its loading was interfering with the render. Music videos are steadier for it, and depth motion returns properly once we've moved its loading out of the render's way.
\nWe found the actual cause of the Music Video crash. After generating your scenes, the app wasn't releasing the image generator's memory before starting the video, so the two collided. It does now. Depth motion, which we'd briefly switched off, is back on.
\nAI Music Video could still crash partway through rendering. We traced it to the experimental depth-motion effect and have turned that one effect off, so music videos now generate reliably start to finish. We'll bring depth motion back once it's rock-solid.
\nEarlier today's 1.6.2 fixed one crash when creating an AI Music Video. A second one could still close the app while it prepared the depth effect that gives your scenes their sense of motion. This release fixes that too.
\nTurning a track into an AI Music Video could quit the app the instant the render began. That's fixed. This release also brings a broad round of video-editor improvements: steadier trimming, more export control, and more reliable playback and undo.
\nIn 1.6.0, using any of the on-device AI features would quit OwnClip the moment you started one. This release fixes it. If you're on 1.6.0, please update; everything else in the app was unaffected.
\nOwnClip's AI features are real and usable today, but they're younger than the rest of the app. From this release they carry a BETA label everywhere they appear, so you always know which parts are rock-solid and which are still improving.
\nMark up a screenshot with numbered steps, then let OwnClip animate it into a cinematic walkthrough: the camera zooms to each step, an animated cursor leads the way, with optional narration and music. Export as a video, a GIF, or a self-contained interactive page.
\nWe made OwnClip tougher: a problem in one corner no longer takes the whole app down, and a recording that reaches the free time limit now always finishes cleanly and saves a clip you can open.
\nOne click turns your transcript into timed subtitles. Then reword, restyle, or drag any line, because captions are real editable text now. You can also type text straight onto the video, right where you want it.
\nCapture a long, scrolling page, then hit Copy. The whole stitched image lands on your clipboard, top to bottom. Previously a very tall capture could leave only the last screen behind.
\nTrigger Capture Text from the floating controls and the OCR Manager comes straight to the front, even when the main window is minimized. The Device Manager also now shows the exact number of Macs your plan includes.
\nPress ⌘⇧T, drag over anything on screen (a video still, a PDF, a slide, an error dialog) and the text is on your clipboard before you let go. 18+ languages, recognized entirely on your Mac, nothing sent to the cloud.
\nSee Capture Text in the guide →
", "content_text": "Press ⌘⇧T, drag over anything on screen (a video still, a PDF, a slide, an error dialog) and the text is on your clipboard before you let go. 18+ languages, recognized entirely on your Mac, nothing sent to the cloud.\n• Drag over any region of your screen and OwnClip reads the text instantly, right on your Mac. The result is on your clipboard the moment the scan finishes, with no account, no upload, and no waiting.\n• 18+ languages, auto-detected. Pick a specific language from the globe menu and it re-reads the same capture, so there's no need to drag again.\n• Every capture is saved to a private Recent history you can pin, copy from again, or reveal in Finder, and switch off entirely whenever you want.\n• Works on the stuff you normally can't select: a frame of a video, a flattened PDF, a slide on a shared screen, or a dialog that blocks copy.\nSee Capture Text in the guide → /guide/screenshots", "date_published": "2026-06-07T12:00:00Z", "date_modified": "2026-06-07T12:00:00Z", "tags": [ "New", "v1.4.0" ], "_ownclip": { "kind": "feature", "version": "1.4.0", "cta": { "label": "See Capture Text in the guide", "href": "/guide/screenshots" } } }, { "id": "https://ownclip.io/news#news-ocr-text-editor-ai", "url": "https://ownclip.io/news#news-ocr-text-editor-ai", "title": "Copy the text, then clean it up, rephrase it, or summarize it", "summary": "Captured text opens in a real editor (bold, lists, fonts, colors) with on-device AI that repairs OCR artifacts, rewrites for clarity, or condenses to bullet points. Review every change before you keep it, then save as .txt or .rtf.", "content_html": "Captured text opens in a real editor (bold, lists, fonts, colors) with on-device AI that repairs OCR artifacts, rewrites for clarity, or condenses to bullet points. Review every change before you keep it, then save as .txt or .rtf.
\nAn address buried in a screenshot. A command on a tutorial video. A figure on a shared slide. A message in a dialog you can't select. Drag over it. It's editable text in about a second.
\nCinematic auto-zoom that follows the speaker and the cursor. One-click stabilization for shaky footage. Subject erase that lifts a person or object out cleanly. And a preview that is, frame for frame, the file you'll export.
\nUSB mics, audio interfaces, and external mics now capture reliably at full quality: pick your mic and record, no fiddling.
\nThe meter now shows the music, call, or app sound you're capturing, not just your voice, so you can balance levels before you hit record.
\nBackground-noise removal got a safety net: it cleans fans, hum, and hiss but can no longer over-process your voice into silence. Cleaner takes, zero surprises.
\nOwnClip now tells you when a Bluetooth headset will record in lower “call” quality, and how to get studio sound, so a take never surprises you.
\nDragging to select a cut range now follows your cursor at full frame rate. The selection band keeps its own state while you drag, so the timeline behind it stays still instead of redrawing on every pixel. Reopening a clip you've already edited now shows its waveform right away instead of an empty track. And Trim, Speed, and Audio Polish now each confirm when applied, so no edit ever feels like it did nothing.
\nAfter eighteen builds patching the Cut tool one bug at a time, it has been rewritten around a single idea: the timeline shows your edited video, so cutting works on exactly what you can see. Drag from one point to another and the band lands where you dragged it. Click Cut Selection and the range disappears, the duration drops, and the audio you kept fills the timeline. Past cuts are listed in the inspector, each with a one-click remove.
\nOnce the timeline started closing up around your cuts, the selection band was being drawn at the wrong width, so dragging produced a fixed block you could not resize. The band now matches the range you dragged, with both edge handles where you would expect them.
\nReal bug fix. EditProject.addOperation for .silenceRemove was REPLACING any existing silence op, so when you re-detected with different parameters and applied again, the new silences were stored but the previously-removed silences came BACK into the composition. Net duration looked unchanged; users saw \"nothing happens.\" Now each Apply accumulates the new segments on top of what was already cut.
\nApply Silence Removal, then run detection again, and the same silences came back: detection scans your original recording, which still contains them. Clicking Remove then did nothing at all. Silences that sit inside something you already cut are now left out of the list, and when everything found has already gone, the inspector says so instead of offering to remove nothing.
\nThree big-feel changes to make the editor read as a real NLE. The bottom timeline now physically collapses around cuts and silence (kept content fills edge-to-edge). The right inspector panel is collapsible (⌥⌘I or chevron), with a thin expand rail when hidden, persisted across sessions. And committed cuts no longer leave a stitch marker on the timeline: once you cut, you cut; ⌘Z is the undo path.
\nAfter a cut or a silence removal, the timeline still showed the removed stretches, marked with a stitch or dimmed, but taking up the same room as before. The timeline now measures your edited video instead: removed stretches disappear, and what you kept fills the width end to end. Remove a 10-second silence from a 15-second clip and the timeline shrinks to the 5 seconds of audio you kept.
\nAfter you applied Silence Removal the orange bands vanished and the toast faded, which made it look like the change had been undone rather than committed. A badge now stays in the inspector, \"Removed N silent segments · saved Xs\", with one-click Undo. It clears when you run a fresh detection or move to another tool.
\nThree UX gaps in Silence Removal closed. (1) Per-segment list in the inspector: each detected segment has a checkbox to skip it from the next pass + a tap-to-seek so you can listen before committing. (2) After clicking Remove, the orange preview bands and the projection row clear so you can't accidentally re-add the same op. (3) When you tweak the threshold / min-duration sliders, a \"Re-detecting at the new threshold…\" status appears during the 400 ms debounce so the slider change doesn't look silently absorbed.
\nOnce you apply a Cut, the timeline used to keep showing a big red block where the cut was, making it look like the cut hadn't taken effect. Now, committed cuts collapse to a thin 4-pt red stitch marker at the cut point, and the waveform bars inside cut regions are skipped entirely. The content reads as gone. When you switch back to the Cut tool, the full editable region with drag handles returns so you can adjust or remove a past cut.
\nThe B shortcut / floating-toolbar scissors button drops a 0.5 s cut selection at the playhead so you can drag the edges to refine it, but the action was silent and the button label said \"Split at Playhead,\" which sounds like it should commit. Now there's a clear inline message (\"Cut selection ready · drag the edges to refine, then press Delete or click Cut Selection\"), the tooltip describes the actual behavior, the icon switches to scissors-with-dots to suggest \"in progress,\" and B is documented in the keyboard help overlay.
\nTrimming always worked (playback skipped the trimmed part and the export matched), but the toolbar still showed the original duration and timecode, so there was no sign anything had happened. The toolbar now shows the length of what you kept, the timecode starts at zero on your trimmed clip, and the discarded stretch is clearly dimmed.
\nA pass over the video editor against pro-NLE expectations. Frame-by-frame stepping with the comma / period keys (FCP convention). JKL shuttle for reverse / pause / forward at 1× / 2× / 4× / 8× speeds. Loop region: set in / out points with ⌥I / ⌥O, toggle playback with ⇧L. Click the timecode in the toolbar and type a precise time. Pre-roll playback (⇧Space) plays from 2 s back and returns the playhead when you pause. Plus better error handling: corrupt clips show an inline retry overlay, exports check for free disk space before starting, and AVFoundation errors get translated to actionable copy. Snap-to-cut-edge so cut edges click onto neighbouring cuts. And VoiceOver labels on every interactive timeline element.
\nOnce you apply a Cut, a green Play Preview button now appears in the Cut inspector. Tapping it jumps the playhead to 1.5 s before the cut and plays so you can immediately hear the cut land. And the Play / Pause button in the timeline toolbar is now a brand-tinted circular pill that stands apart from the muted transport icons, so it's the loudest thing in the toolbar instead of one of five identical SF symbols.
\nEvery action button across the app (secondary, destructive, icon, the recording pill) now greys out when you cannot use it. Plus: re-applying a template asks before wiping your text edits, Recent tiles tell you when a file has gone instead of failing silently, Smart Share waits for your Drive quota before letting you send, Smart Framing tells you when there are no faces to follow, and the silence threshold slider no longer stutters on long clips.
\nTwo quick fixes. A new File → Open (⌘O) menu accepts any video or image and routes it to the matching editor (video → Video Editor, image → Screenshot Editor), the same routing the Finder double-click and drag-drop paths already use, so the result is consistent. And the editor's action buttons now visibly grey out when their precondition isn't met. Cut Selection used to look identical enabled vs disabled, so users reported \"the button doesn't work\" when it was correctly waiting on a range selection.
\nFive surgical fixes across the editor's most complained-about surfaces. Audio Polish presets are now obviously audible with a Hold-to-Compare A/B button. Detected silence shows up as orange bands on the timeline before you commit. Chapter markers are draggable / renameable / deletable directly on the timeline. Per-range speed zones replace global-only speed. And captions get a full style editor (font / color / position / animation) with live preview.
\nDragging with the Cut tool moved the trim range instead of selecting one, because the trim block caught the drag first. With Cut active, a drag now goes straight to selection. Trim edge handles still work whichever tool you are in.
\nThe previous Cut redesign was unusable: the drag was hidden behind Shift, and \"Cut at Playhead\" committed a half-second block you could not resize. It now works from the Cut tool itself: pick Cut, drag on the timeline to define a range, drag the edges or the middle to refine it, then press Delete or click Cut Selection. No modifier keys, no automatic blocks.
\nThree Video Editor pain points fixed in one pass. Cut now follows the Final Cut / Premiere / DaVinci convention: Shift-drag on the timeline to select a range, then click Cut. Timeline zoom got explicit + / − / Fit buttons plus ⌘+ / ⌘− / ⌘0 keyboard shortcuts. And dragging the trim handles now dims the discarded regions clearly and shows a \"Keep: 12.4s\" label so you know exactly what'll survive the trim.
\nEvery section of the app now shares one layout, so the workspace column stays visible and nothing shifts as you move between the Library, the editor, and screenshots.
\nPinning your tools permanently visible made them overlap the Library’s own source column in the Library, Video Editor, and Image Editor. The chevron toggle and View → Toggle Sidebar are back, so you can collapse the main column when you need the room in a multi-column view. Home keeps its resize fix.
\nSettings kept your tools at full width in a narrow window, but Home and other sections quietly collapsed them. Visibility is now pinned across every section, and the toggle and menu item are gone, so every part of the app behaves the same: your tools are simply always there.
\nThe asymmetry between Library (sidebar stayed put, Library content compressed) and Home (sidebar compressed, Home content stayed large) is fixed. Home's hero visual, brand logo, recent thumbnails, and outer padding all got smaller fixed dimensions so the page never demands more width than the detail pane has, removing the pressure that caused NavigationSplitView to auto-collapse the sidebar.
\nThe workspace column was set to a fixed width but still collapsed to nothing while the app was running. Every pane is now measured and given its width outright, so none of them compete for space. The column holds its width whatever section you are in and whatever size the window is.
\nThe workspace column now holds its full width in every section, so your tools are in the same place whichever part of the app you are in.
\nOwnClip’s navigation column is now built the way Lightroom, Final Cut, and Adobe Bridge build theirs: a fixed workspace fixture rather than the collapsible panel Apple ships for Mail and Notes. No hide chevron, no auto-collapse in a narrow window, nothing to fight.
\nAfter several iterations bouncing between approaches, the sidebar is now structurally pinned across every section of the app via the right architecture instead of patches. Home and Video Editor regain their native chrome that the previous build accidentally stripped.
\nTwo stubborn problems gone. Your workspace column is now fixed in place, so editor and library toolbars can no longer hide it. And the Cut tool’s drag handles stop overlapping on small cuts. You can grab and widen the right edge of a fresh split just like the left.
\nYour tools stayed put in the simpler views (Settings, Home, Help), but the Library, Video Editor, and Image & PDF editor could still hide them, because their own toolbars put the toggle back. Every remaining route is closed: they stay visible everywhere.
\nThe sidebar is the one piece of navigation that has to be there. The previous window-minimum tuning kept it visible at the floor, but NavigationSplitView still had two ways to wipe it (the toolbar chevron, and an auto-collapse on narrow widths). Both are now disabled, and the sidebar stays put at every window size and at every user action.
\nSettled the window-minimum question with the Adobe Bridge / Lightroom convention: shrink down to the most compact working window, with the sidebar always visible and every surface (Library, editors, settings) still functional, without going so small that columns clip or panels overlap.
\nThe previous build's window minimum was too aggressive. It blocked a valid macOS pattern of shrinking the window to a sidebar-only navigation state. Lowered the minimum to match what Apple's own apps (Mail, Notes, System Settings) use, so the sidebar always renders cleanly and the detail surfaces compress gracefully when narrow.
\nUntil now, dragging the window smaller than ~900 pixels wide silently squeezed the Library's three columns into each other and clipped the Video and Screenshot editors. The window minimum is now sized to fit the widest layout, so every surface stays usable at every resizable size, just like Settings has always been.
\nClicking Split at Playhead used to drop a 1-pixel marker on the timeline with no inspector feedback: you'd click, see nothing, and assume it was broken. Now the new cut is wide enough to see, the Cut inspector shows \"N cuts · X removed\", every split / resize / delete confirms with a toast, and there's a Remove-last-cut button so you don't have to hunt for the timeline trash icon.
\nTwo editor inspectors that looked like they did nothing now behave like real Mac inspectors. Audio Polish presets and Silence Removal thresholds update preview audio the instant you change them, persist into the project automatically, and tell you exactly what happened when you commit. Settings → Recording also drops a confusing \"Region · 1284 × 712\" line that read like a saved setting but was really just whatever was selected at the moment.
\nDropping the second image into Before & After used to throw you straight into the editor with no chance to swap a pick. Now you stay in the picker until you click \"Open in Editor\". Settings panels also got their full Mac-app width back, no more narrow column on big displays.
\nSettings panels are now a centered column with sensible width. No more shortcut chips floating at the far right of a wide window with nothing connecting them to their label. The Hotkeys page in particular got proper rows with an icon, a one-line description of what each shortcut does, and the chip kept close to the label it belongs to.
\nA bug-bash release. The File → Open PDF menu now actually opens the PDF and adds it to your Library in one step. Importing a file that's already there gets a clear message instead of a silent renamed copy. The custom-color picker in the annotation toolbar no longer overlaps the Black swatch. And the Recent row on Home only shows thumbnails it can show whole.
\nAfter you take a screenshot, the floating overlay now keeps every action inside OwnClip, with no surprise hand-offs to other apps. Buttons in the overlay are roughly twice the size too, so they're comfortable to hit with a trackpad or with assistive input.
\nSmart Share now looks and feels the same everywhere you find it: recordings, screenshots, the editor, the Library. It also got promoted to the primary action in the video editor, where it belonged from day one. And anywhere you handle images in OwnClip, you can now drag them in or paste them straight from your clipboard.
\nSmart Detect now traces the actual outline of whatever it's selecting (a person, a sign, an object) instead of a rectangle wrapped around it. Pair that with the new Erase picker in Settings: three engines, each tuned for a different scene, all running on your Mac.
\nA new Stabilize tool in the video editor turns handheld and bumpy footage into clips that look like they came off a tripod. Non-destructive, so you can toggle it on, off, or fine-tune any time without re-rendering the original.
\nFirst-time transcribe used to look frozen for several minutes while OwnClip downloaded its one-time on-device speech model. The progress bar now moves continuously, the status line shows MB downloaded, and Cancel actually cancels.
\nThe Google Drive indicator on the Account screen was inflating your plan by about 10%. The number now matches what you see on Google's own page and on your invoice.
\nFour fixes to the public share page your viewers see. Studio shares now stay completely your brand. Downloads finally save on iPhone. The Share button opens the system share sheet on phones. And image shares stop calling themselves videos while they load.
\nPlay or open a file from the Library and it now opens inside OwnClip: same window, same keyboard shortcuts, one keystroke to jump into the editor or move to the next file. Your flow never breaks.
\nA round of polish on the Library. The file inspector now looks identical no matter what you click, switching files no longer flashes the old thumbnail, and big libraries with hundreds of items open instantly.
\nRebuilt the file-details panel from the ground up so its title, rating, tags, notes, and actions all render correctly on every resolution, including 5K and 6K screens that previously showed blank cards.
\nQuiet patch for users on 5K and 6K screens: the file-details panel was rendering most of its content invisibly. The cards now show through reliably on every resolution.
\nThree big ones land together. Transcripts on hour-long recordings now make it all the way to the end. No more half-blank subtitles. The Zoom tool auto-generates cinematic push-ins from your speaker's face. And the floating controls panel finally stays put across spaces and full-screen apps.
\nA heavy polish round driven by your feedback. The screenshot editor is now nearly fully unlocked on Free. Region recording finally records exactly the rectangle you draw. Select Subject feels effortless. And every paywall moment explains itself before sending you anywhere.
\nA round of polish on the screenshot editor, driven by your feedback. New history panel, smarter layer behavior, layers that survive a crop, and a much smoother Compare drop zone.
\nThree big threads land together. The editor preview now plays exactly what export will produce, edits and all. A new Quick Access overlay drops every screenshot into a floating panel for one-tap drag-out. And the floating bar, dock icon, and splash got the full Liquid Glass redesign.
\nTen fixes from a top-to-bottom audit of the video editor. AI passes are individually cancellable. Audio-polish EQ and noise reduction render live in the preview as you drag. Object tracking won't run out of memory on long videos. And exports bail with a clear error if your disk is full, before you waste 30 minutes.
\nHotfix for the Before & After export sheet. The preview rendered black on some setups, and the Generated Code panel showed unreadable single-line blobs. Both now show what you'd expect: the actual rendered preview and human-readable code.
\nA quiet maintenance release. Closed the open loops from the 1.2.x sprint: confirmed pins persist correctly across every flow, and re-verified Compare exports across all formats. Nothing changes in the UI; this one is about confidence.
\nPick a comparison, hit Share to Web, and OwnClip uploads the assets to your own Google Drive. You get a copy-paste embed snippet that works anywhere. Every URL already points at your Drive, no extra setup. The files stay yours.
\nTwo fixes to the Before & After exporter. The live preview in the export sheet now renders properly instead of going black, and animated/interactive exports now produce a clean folder of separate files instead of one giant blob, ready to drop on a server or paste into a CMS.
\nA build-numbering mistake in 1.2.5 silently disabled auto-update for users on earlier 1.2.x versions: the app couldn't tell that newer releases were actually newer. 1.2.7 fixes the numbering so the next update check delivers every recent release.
\nDrop your screenshot into a device frame (iPhone, iPad, MacBook, or wall-mounted LED TV) for app-store shots, marketing decks, and 'here's how it looks on a real device' moments. The Beautify panel itself is now resizable, and the Quick Access overlay is cleaner across the board.
\nThe post-capture overlay is now fully drivable from the keyboard. Every tile gets the same hover actions. The auto-dismiss countdown is visible. Plus: macOS 15 Sequoia is now the minimum supported version.
\nThe Compare drop zone now tells you what to do next. Tapping a Library thumbnail fills the next empty slot. The file picker accepts two images at once. And when you've picked one, the empty slot now invites you to fill it instead of looking decorative.
\nThree new picks for Beautify. Smart Palette generates a background that matches your screenshot's colors. Studio users get a 'Match your brand' card built from their brand colors. And a hold-to-compare button above the canvas lets you A/B the styled and raw view in a single press.
\nOpen Beautify and three AI-curated picks land in your lap before you touch a single slider. Click one and you're done. Every previous capability is still here, just one tap away when you actually want to fiddle.
\nTwo regressions fixed same-day. The Compare preview wasn't animating: scrubber and Play did nothing. The floating recording controls flashed when you hovered their buttons. Both gone.
\nThe toggle that decides whether OwnClip's own UI appears in screenshots and recordings is now one global setting in Settings → General, covering every form of capture in one place.
\nReplaced the two-card UI from 1.1.4 with a single toggle that sits alongside Microphone, System audio, and Camera overlay in Capture Sources. One look, one decision.
\nNew choice in Recording settings: Hide OwnClip (recordings show only your work) or Capture everything (perfect for tutorials and product demos). Takes effect live, no restart.
\nTwo small annoyances fixed. The floating recording controls no longer get covered by other apps' floating windows. And the 'Recent from Library' strip in Compare populates the moment you open it instead of waiting for the next screenshot.
\nThe empty state of the Compare tool now shows a strip of recent images from your Library. Tap one to fill the next empty slot. Drag-drop and the file picker still work the same way.
\nBefore & After now has a dedicated sidebar entry under Creative, right next to Brand Studio. The ⌘⇧K shortcut still works if you prefer it.
\nDrop two screenshots into the new Compare window, pick a transition, and OwnClip composes them on a Beautify background, then exports as MP4, GIF, animated SVG, or a self-contained interactive HTML embed. Studio tier.
\nThe WhatsApp brand icon in the Smart Share sheet was rendering as a distorted shape on some Macs. Every share icon (WhatsApp, Telegram, X, LinkedIn) now matches its official brand mark, pixel-correct at every size.
\nSwitching microphones or toggling Voice Isolation in rapid succession used to leave the audio engine stuck. Your last click silently dropped. Every change now executes in order, no matter how fast you mash them.
\nTurning Voice Isolation off used to leave the EQ visualizer empty for some microphone setups. The EQ + spectrum now keep working through every toggle, no matter which mic you've selected.
\nThe EQ visualizer went silent for some setups after 1.0.38. This release simplifies the audio path so it stays alive in every Voice Isolation state.
\nVoice Isolation now removes room tone and background noise the way the switch promises, without thinning your voice.
\nThe Camera tab settings now actually do what they look like they do, and we added a server-controlled announcements channel so we can reach you between releases.
\nOwnClip is shipping fast and openly. Expect new features every week, and the occasional rough edge while we get there.
\nContinued polish on the Smart Share redesign and library experience. The next time you launch OwnClip, it updates itself in the background.
\nA full redesign of the share sheet: Liquid Glass surfaces, recipient-eye preview, and Google Contacts autocomplete (Pro/Studio).
\nSkip the daily meeting. Record a 60-second walkthrough of what you shipped, drop the link in Slack, and your team watches when they want.
\n\"Works on my machine\" dies when the bug report is a 30-second clip with annotations and a transcribed steps-to-reproduce.
\nRecord, chapter, transcribe, and ship a polished course video without leaving OwnClip, and without uploading raw footage to anyone's cloud.
\nBackground blur or a virtual scene, Smart Framing, Auto-Light, and AI noise removal. Recorded once, sent to twenty prospects.
\n