Every feature below landed on Macs that already had OwnClip. No new charge, no renewal, no subscription. This is what buying once looks like.
Presenter puts you in the frame with your screen as a panel beside you. Screen Focus gives the screen most of the picture and you a strip alongside. Perspective angles the two toward each other. Plus shadows under the layers, your own saved framings, and six ways for each change to enter.

Backup moves to its own settings page that surfaces problems instead of burying them. Google Drive, iCloud Drive and OneDrive stay free on every plan, and Studio adds storage you rent yourself.

Draw straight onto your video: arrows, boxes, ellipses, a highlighter, freehand pen, and numbered step badges — plus emoji from a searchable set of about 1,600. Pick a tool, drag on the picture, and it appears exactly when you want it to and disappears when you don't. Nothing is burned into your recording until you export.
When a recording captures your microphone and your computer's audio at the same time, OwnClip now keeps each as its own lossless track. Open it in the editor and they're already split. Balance them against each other, or silence either one — including just a moment of it — long after the recording is done.
The Beautify panel can now generate a background for you — described in your words or matched to the screenshot itself — rendered entirely on your Mac, shaped to your canvas. Around it: shadows that adapt to the background, 3D tilt presets, styles you can save and reapply with one tap, a whole-folder batch mode, and your desktop wallpaper as a background.
Mark up a screenshot with numbered steps, then let OwnClip animate it into a cinematic walkthrough: the camera zooms to each step, an animated cursor leads the way, with optional narration and music. Export as a video, a GIF, or a self-contained interactive page.
Press ⌘⇧T, drag over anything on screen (a video still, a PDF, a slide, an error dialog) and the text is on your clipboard before you let go. 18+ languages, recognized entirely on your Mac, nothing sent to the cloud.
Cinematic auto-zoom that follows the speaker and the cursor. Subject erase that lifts a person or object out cleanly. And a preview that is, frame for frame, the file you'll export.

Background-noise removal got a safety net: it cleans fans, hum, and hiss but can no longer over-process your voice into silence. Cleaner takes, zero surprises.

Three big ones land together. Transcripts on hour-long recordings now make it all the way to the end. No more half-blank subtitles. The Zoom tool auto-generates cinematic push-ins from your speaker's face. And the floating controls panel finally stays put across spaces and full-screen apps.
A round of polish on the screenshot editor, driven by your feedback. New history panel, smarter layer behavior, layers that survive a crop, and a much smoother Compare drop zone.

All 135 of them, in plain language, with the detail behind each one. Runs of related releases are grouped. Open any of them to see every entry.
The edit starts doing itself, and you keep every choice
Dropbox has been retired as a place OwnClip copies your captures. Nothing already copied there is touched, and Google Drive, iCloud Drive and OneDrive stay free on every plan.
DetailsHideChanging a camera layout, a shadow or a Split Card while the video was paused used to leave the preview on the old picture until you pressed play. The preview now redraws straight away.
DetailsHideDrag the gap between you and your screen to give one of you more room, pull the edges to change the margin and height, swap sides with a double-click, and give the screen card a colour of its own.
DetailsHideThe two planes were turning away from each other, and each was also drawn slightly smaller and off to one side. Both are fixed, so the layout looks like the tile that promised it.
DetailsHideAfter a recording was saved, the bubble could sit on a black spinner with the camera light on. It now returns to a live preview every time.
DetailsHideSplit Cards puts you and your screen side by side as two rounded cards with real space around them, and your background fills that space. Side by Side, Screen Focus and Perspective get the same treatment.
DetailsHideYour camera used to carry a thin white outline in every recording, whether you wanted it or not. It is gone by default. If you do want an edge, you can pick any colour, or soften it so the camera melts into what is behind it.
DetailsHideAuto Layouts reads what you said and what you did, then lays out the whole clip — you full-frame to open, the screen once you start clicking, both side by side when you're pointing at something. Every part it makes is an ordinary chip on the timeline, so you can drag it, retype it or delete it like anything you made yourself.
DetailsHidePresenter puts you in the frame with your screen as a panel beside you. Screen Focus gives the screen most of the picture and you a strip alongside. Perspective angles the two toward each other. Plus shadows under the layers, your own saved framings, and six ways for each change to enter.
DetailsHideCutting a clip, removing silence or dropping in a block all leave a hard seam. Transitions smooth them — dip to black or white, flash, zoom punch, whip pan, crossfade, wipe or slide — applied across every cut in the clip at once, with the audio faded to match.
DetailsHideA new Cinematic easing starts and settles without the snap at either end, the push magnifies evenly instead of loitering and then racing, and the move is sampled twice as finely so it never reads as stepped. Auto-zoom follows click-and-drags now too, including on recordings you already made.
DetailsHideAnalyze a recording once, then pick what you want out of it — vertical captioned clips of the best moments, a narrated product demo with title cards, a short ad, or a text kit of titles, description, tags and chapters. OwnClip renders the finished videos on your Mac.
DetailsHideFree Capture lets you draw around anything on screen — freehand or in straight edges, with the outline snapping onto real edges as you go — and hands back a PNG cropped to exactly that shape, with a transparent background.
DetailsHideBackup moves to its own settings page that surfaces problems instead of burying them. Google Drive, iCloud Drive and OneDrive stay free on every plan, and Studio adds storage you rent yourself.
DetailsHidePin a background to just one section of a clip instead of the whole thing, with a crossfade at each boundary — or hand OwnClip a video of your own to loop behind your recording, with blur and strength controls.
DetailsHideDraw on your video, and mic and system audio come apart
Draw straight onto your video: arrows, boxes, ellipses, a highlighter, freehand pen, and numbered step badges — plus emoji from a searchable set of about 1,600. Pick a tool, drag on the picture, and it appears exactly when you want it to and disappears when you don't. Nothing is burned into your recording until you export.
DetailsHideWhen a recording captures your microphone and your computer's audio at the same time, OwnClip now keeps each as its own lossless track. Open it in the editor and they're already split. Balance them against each other, or silence either one — including just a moment of it — long after the recording is done.
DetailsHideThe editor's timeline got a pass over the parts you touch every minute. Dragging it scrubs the picture live, dragging across a stretch selects it and offers Cut and Speed on the spot, and the audio lanes finally grow when you give the timeline more room.
DetailsHideThe Beautify panel can now generate a background for you — described in your words or matched to the screenshot itself — rendered entirely on your Mac, shaped to your canvas. Around it: shadows that adapt to the background, 3D tilt presets, styles you can save and reapply with one tap, a whole-folder batch mode, and your desktop wallpaper as a background.
DetailsHideIf something ended your recording before you did — the window you were recording closed, your Mac went to sleep, you quit mid-take — OwnClip now saves the recording instead of losing it. Anything left behind by an older crash is recovered the next time you open the app, and OwnClip will never delete a recording on its own again. You can also take a screenshot of exactly what you're recording without stopping.
DetailsHideAnimate gets a proper workspace: bring in captures you already have, arrange them as scenes, choose a look, and export when it reads well. In the editor, new Cursor Studio controls give the recorded pointer a natural tilt, a trail, an idle fade, click sounds, and even a pointer image of your own. The camera also picks up 14 new animated backdrops, and Home was reorganized so your next step is one click away.
DetailsHideTwo additions to the editor: WebM joins the export formats, and Remove Logo can now measure a see-through badge and subtract it, so the picture underneath comes back instead of being painted over.
DetailsHideAI Music Video shipped, then got hardened
Every music visual in OwnClip has been rebuilt: real materials that catch the light, mirror floors, shafts of light and depth of field, plus three new looks. Music you make in the AI Studio can now become a finished video without leaving the screen.
DetailsHideHeavy AI features now share your Mac more gracefully. OwnClip runs one demanding task at a time and eases off when your Mac runs warm or is on battery saver, so the app stays responsive while it works. The AI Studio also gets a visual refresh and new one-tap ways to shape your music.
DetailsHideA big upgrade to AI Music Video: your scenes now move with real camera work and depth parallax, cut between each other with beat-synced transitions that vary with the song, and the reactive overlay is finally smart. It recolors to each scene and glows around your subject.
DetailsHideAI Music Video stays on, and this build deepens the internal diagnostics around its render so that if anything ever goes wrong on your Mac, the report tells us the exact step it happened. Continued stability work under the hood.
DetailsHideThe AI Music Video studio returns. Turn a track into generated scenes cut to the beat. We're continuing deep stability work on its render under the hood, and this build carries better internal diagnostics so any remaining issue tells us exactly where it happened.
DetailsHideAI Music Video is temporarily unavailable while we finish a fix for renders that stalled on long tracks. Everything else in OwnClip is unaffected.
DetailsHideA follow-up to yesterday's Music Video fix. We turned the depth-motion effect back off. On real runs it was loading too slowly to actually apply, and its loading was interfering with the render. Music videos are steadier for it, and depth motion returns properly once we've moved its loading out of the render's way.
DetailsHideWe found the actual cause of the Music Video crash. After generating your scenes, the app wasn't releasing the image generator's memory before starting the video, so the two collided. It does now. Depth motion, which we'd briefly switched off, is back on.
DetailsHideAI Music Video could still crash partway through rendering. We traced it to the experimental depth-motion effect and have turned that one effect off, so music videos now generate reliably start to finish. We'll bring depth motion back once it's rock-solid.
DetailsHideEarlier today's 1.6.2 fixed one crash when creating an AI Music Video. A second one could still close the app while it prepared the depth effect that gives your scenes their sense of motion. This release fixes that too.
DetailsHideTurning a track into an AI Music Video could quit the app the instant the render began. That's fixed. This release also brings a broad round of video-editor improvements: steadier trimming, more export control, and more reliable playback and undo.
DetailsHideIn 1.6.0, using any of the on-device AI features would quit OwnClip the moment you started one. This release fixes it. If you're on 1.6.0, please update; everything else in the app was unaffected.
DetailsHideOwnClip's AI features are real and usable today, but they're younger than the rest of the app. From this release they carry a BETA label everywhere they appear, so you always know which parts are rock-solid and which are still improving.
DetailsHideCapture Text, editable captions, cleaner audio
Mark up a screenshot with numbered steps, then let OwnClip animate it into a cinematic walkthrough: the camera zooms to each step, an animated cursor leads the way, with optional narration and music. Export as a video, a GIF, or a self-contained interactive page.
DetailsHideWe made OwnClip tougher: a problem in one corner no longer takes the whole app down, and a recording that reaches the free time limit now always finishes cleanly and saves a clip you can open.
DetailsHideOne click turns your transcript into timed subtitles. Then reword, restyle, or drag any line, because captions are real editable text now. You can also type text straight onto the video, right where you want it.
DetailsHideCapture a long, scrolling page, then hit Copy. The whole stitched image lands on your clipboard, top to bottom. Previously a very tall capture could leave only the last screen behind.
DetailsHideTrigger Capture Text from the floating controls and the OCR Manager comes straight to the front, even when the main window is minimized. The Device Manager also now shows the exact number of Macs your plan includes.
DetailsHidePress ⌘⇧T, drag over anything on screen (a video still, a PDF, a slide, an error dialog) and the text is on your clipboard before you let go. 18+ languages, recognized entirely on your Mac, nothing sent to the cloud.
DetailsHideCaptured text opens in a real editor (bold, lists, fonts, colors) with on-device AI that repairs OCR artifacts, rewrites for clarity, or condenses to bullet points. Review every change before you keep it, then save as .txt or .rtf.
DetailsHideAn address buried in a screenshot. A command on a tutorial video. A figure on a shared slide. A message in a dialog you can't select. Drag over it. It's editable text in about a second.
DetailsHideCinematic auto-zoom that follows the speaker and the cursor. Subject erase that lifts a person or object out cleanly. And a preview that is, frame for frame, the file you'll export.
DetailsHideUSB mics, audio interfaces, and external mics now capture reliably at full quality: pick your mic and record, no fiddling.
DetailsHideThe meter now shows the music, call, or app sound you're capturing, not just your voice, so you can balance levels before you hit record.
DetailsHideBackground-noise removal got a safety net: it cleans fans, hum, and hiss but can no longer over-process your voice into silence. Cleaner takes, zero surprises.
DetailsHideOwnClip now tells you when a Bluetooth headset will record in lower “call” quality, and how to get studio sound, so a take never surprises you.
DetailsHideDragging to select a cut range now follows your cursor at full frame rate. The selection band keeps its own state while you drag, so the timeline behind it stays still instead of redrawing on every pixel. Reopening a clip you've already edited now shows its waveform right away instead of an empty track. And Trim, Speed, and Audio Polish now each confirm when applied, so no edit ever feels like it did nothing.
DetailsHideThe Cut tool, rewritten
After eighteen builds patching the Cut tool one bug at a time, it has been rewritten around a single idea: the timeline shows your edited video, so cutting works on exactly what you can see. Drag from one point to another and the band lands where you dragged it. Click Cut Selection and the range disappears, the duration drops, and the audio you kept fills the timeline. Past cuts are listed in the inspector, each with a one-click remove.
DetailsHideOnce the timeline started closing up around your cuts, the selection band was being drawn at the wrong width, so dragging produced a fixed block you could not resize. The band now matches the range you dragged, with both edge handles where you would expect them.
DetailsHideReal bug fix. EditProject.addOperation for .silenceRemove was REPLACING any existing silence op, so when you re-detected with different parameters and applied again, the new silences were stored but the previously-removed silences came BACK into the composition. Net duration looked unchanged; users saw "nothing happens." Now each Apply accumulates the new segments on top of what was already cut.
DetailsHideApply Silence Removal, then run detection again, and the same silences came back: detection scans your original recording, which still contains them. Clicking Remove then did nothing at all. Silences that sit inside something you already cut are now left out of the list, and when everything found has already gone, the inspector says so instead of offering to remove nothing.
DetailsHideThree big-feel changes to make the editor read as a real NLE. The bottom timeline now physically collapses around cuts and silence (kept content fills edge-to-edge). The right inspector panel is collapsible (⌥⌘I or chevron), with a thin expand rail when hidden, persisted across sessions. And committed cuts no longer leave a stitch marker on the timeline: once you cut, you cut; ⌘Z is the undo path.
DetailsHideAfter a cut or a silence removal, the timeline still showed the removed stretches, marked with a stitch or dimmed, but taking up the same room as before. The timeline now measures your edited video instead: removed stretches disappear, and what you kept fills the width end to end. Remove a 10-second silence from a 15-second clip and the timeline shrinks to the 5 seconds of audio you kept.
DetailsHideAfter you applied Silence Removal the orange bands vanished and the toast faded, which made it look like the change had been undone rather than committed. A badge now stays in the inspector, "Removed N silent segments · saved Xs", with one-click Undo. It clears when you run a fresh detection or move to another tool.
DetailsHideThree UX gaps in Silence Removal closed. (1) Per-segment list in the inspector: each detected segment has a checkbox to skip it from the next pass + a tap-to-seek so you can listen before committing. (2) After clicking Remove, the orange preview bands and the projection row clear so you can't accidentally re-add the same op. (3) When you tweak the threshold / min-duration sliders, a "Re-detecting at the new threshold…" status appears during the 400 ms debounce so the slider change doesn't look silently absorbed.
DetailsHideOnce you apply a Cut, the timeline used to keep showing a big red block where the cut was, making it look like the cut hadn't taken effect. Now, committed cuts collapse to a thin 4-pt red stitch marker at the cut point, and the waveform bars inside cut regions are skipped entirely. The content reads as gone. When you switch back to the Cut tool, the full editable region with drag handles returns so you can adjust or remove a past cut.
DetailsHideThe B shortcut / floating-toolbar scissors button drops a 0.5 s cut selection at the playhead so you can drag the edges to refine it, but the action was silent and the button label said "Split at Playhead," which sounds like it should commit. Now there's a clear inline message ("Cut selection ready · drag the edges to refine, then press Delete or click Cut Selection"), the tooltip describes the actual behavior, the icon switches to scissors-with-dots to suggest "in progress," and B is documented in the keyboard help overlay.
DetailsHideTrimming always worked (playback skipped the trimmed part and the export matched), but the toolbar still showed the original duration and timecode, so there was no sign anything had happened. The toolbar now shows the length of what you kept, the timecode starts at zero on your trimmed clip, and the discarded stretch is clearly dimmed.
DetailsHideA pass over the video editor against pro-NLE expectations. Frame-by-frame stepping with the comma / period keys (FCP convention). JKL shuttle for reverse / pause / forward at 1× / 2× / 4× / 8× speeds. Loop region: set in / out points with ⌥I / ⌥O, toggle playback with ⇧L. Click the timecode in the toolbar and type a precise time. Pre-roll playback (⇧Space) plays from 2 s back and returns the playhead when you pause. Plus better error handling: corrupt clips show an inline retry overlay, exports check for free disk space before starting, and AVFoundation errors get translated to actionable copy. Snap-to-cut-edge so cut edges click onto neighbouring cuts. And VoiceOver labels on every interactive timeline element.
DetailsHideOnce you apply a Cut, a green Play Preview button now appears in the Cut inspector. Tapping it jumps the playhead to 1.5 s before the cut and plays so you can immediately hear the cut land. And the Play / Pause button in the timeline toolbar is now a brand-tinted circular pill that stands apart from the muted transport icons, so it's the loudest thing in the toolbar instead of one of five identical SF symbols.
DetailsHideEvery action button across the app (secondary, destructive, icon, the recording pill) now greys out when you cannot use it. Plus: re-applying a template asks before wiping your text edits, Recent tiles tell you when a file has gone instead of failing silently, Smart Share waits for your Drive quota before letting you send, Smart Framing tells you when there are no faces to follow, and the silence threshold slider no longer stutters on long clips.
DetailsHideFive surgical fixes across the editor's most complained-about surfaces. Audio Polish presets are now obviously audible with a Hold-to-Compare A/B button. Detected silence shows up as orange bands on the timeline before you commit. Chapter markers are draggable / renameable / deletable directly on the timeline. Per-range speed zones replace global-only speed. And captions get a full style editor (font / color / position / animation) with live preview.
DetailsHideDragging with the Cut tool moved the trim range instead of selecting one, because the trim block caught the drag first. With Cut active, a drag now goes straight to selection. Trim edge handles still work whichever tool you are in.
DetailsHideThe previous Cut redesign was unusable: the drag was hidden behind Shift, and "Cut at Playhead" committed a half-second block you could not resize. It now works from the Cut tool itself: pick Cut, drag on the timeline to define a range, drag the edges or the middle to refine it, then press Delete or click Cut Selection. No modifier keys, no automatic blocks.
DetailsHideThree Video Editor pain points fixed in one pass. Cut now follows the Final Cut / Premiere / DaVinci convention: Shift-drag on the timeline to select a range, then click Cut. Timeline zoom got explicit + / − / Fit buttons plus ⌘+ / ⌘− / ⌘0 keyboard shortcuts. And dragging the trim handles now dims the discarded regions clearly and shows a "Keep: 12.4s" label so you know exactly what'll survive the trim.
DetailsHideEvery section of the app now shares one layout, so the workspace column stays visible and nothing shifts as you move between the Library, the editor, and screenshots.
DetailsHideA workspace that stays put
The asymmetry between Library (sidebar stayed put, Library content compressed) and Home (sidebar compressed, Home content stayed large) is fixed. Home's hero visual, brand logo, recent thumbnails, and outer padding all got smaller fixed dimensions so the page never demands more width than the detail pane has, removing the pressure that caused NavigationSplitView to auto-collapse the sidebar.
DetailsHideOwnClip’s navigation column is now built the way Lightroom, Final Cut, and Adobe Bridge build theirs: a fixed workspace fixture rather than the collapsible panel Apple ships for Mail and Notes. No hide chevron, no auto-collapse in a narrow window, nothing to fight.
DetailsHideSettled the window-minimum question with the Adobe Bridge / Lightroom convention: shrink down to the most compact working window, with the sidebar always visible and every surface (Library, editors, settings) still functional, without going so small that columns clip or panels overlap.
DetailsHideUntil now, dragging the window smaller than ~900 pixels wide silently squeezed the Library's three columns into each other and clipped the Video and Screenshot editors. The window minimum is now sized to fit the widest layout, so every surface stays usable at every resizable size, just like Settings has always been.
DetailsHideClicking Split at Playhead used to drop a 1-pixel marker on the timeline with no inspector feedback: you'd click, see nothing, and assume it was broken. Now the new cut is wide enough to see, the Cut inspector shows "N cuts · X removed", every split / resize / delete confirms with a toast, and there's a Remove-last-cut button so you don't have to hunt for the timeline trash icon.
DetailsHideTwo editor inspectors that looked like they did nothing now behave like real Mac inspectors. Audio Polish presets and Silence Removal thresholds update preview audio the instant you change them, persist into the project automatically, and tell you exactly what happened when you commit. Settings → Recording also drops a confusing "Region · 1284 × 712" line that read like a saved setting but was really just whatever was selected at the moment.
DetailsHideDropping the second image into Before & After used to throw you straight into the editor with no chance to swap a pick. Now you stay in the picker until you click "Open in Editor". Settings panels also got their full Mac-app width back, no more narrow column on big displays.
DetailsHideSettings panels are now a centered column with sensible width. No more shortcut chips floating at the far right of a wide window with nothing connecting them to their label. The Hotkeys page in particular got proper rows with an icon, a one-line description of what each shortcut does, and the chip kept close to the label it belongs to.
DetailsHideA bug-bash release. The File → Open PDF menu now actually opens the PDF and adds it to your Library in one step. Importing a file that's already there gets a clear message instead of a silent renamed copy. The custom-color picker in the annotation toolbar no longer overlaps the Black swatch. And the Recent row on Home only shows thumbnails it can show whole.
DetailsHideAfter you take a screenshot, the floating overlay now keeps every action inside OwnClip, with no surprise hand-offs to other apps. Buttons in the overlay are roughly twice the size too, so they're comfortable to hit with a trackpad or with assistive input.
DetailsHideThe free tier opens up, and the Library gets fast
Smart Detect now traces the actual outline of whatever it's selecting (a person, a sign, an object) instead of a rectangle wrapped around it. Pair that with the new Erase picker in Settings: three engines, each tuned for a different scene, all running on your Mac.
DetailsHideA new Stabilize tool in the video editor turns handheld and bumpy footage into clips that look like they came off a tripod. Non-destructive, so you can toggle it on, off, or fine-tune any time without re-rendering the original.
DetailsHideFirst-time transcribe used to look frozen for several minutes while OwnClip downloaded its one-time on-device speech model. The progress bar now moves continuously, the status line shows MB downloaded, and Cancel actually cancels.
DetailsHideThe Google Drive indicator on the Account screen was inflating your plan by about 10%. The number now matches what you see on Google's own page and on your invoice.
DetailsHidePlay or open a file from the Library and it now opens inside OwnClip: same window, same keyboard shortcuts, one keystroke to jump into the editor or move to the next file. Your flow never breaks.
DetailsHideA round of polish on the Library. The file inspector now looks identical no matter what you click, switching files no longer flashes the old thumbnail, and big libraries with hundreds of items open instantly.
DetailsHideRebuilt the file-details panel from the ground up so its title, rating, tags, notes, and actions all render correctly on every resolution, including 5K and 6K screens that previously showed blank cards.
DetailsHideQuiet patch for users on 5K and 6K screens: the file-details panel was rendering most of its content invisibly. The cards now show through reliably on every resolution.
DetailsHideThree big ones land together. Transcripts on hour-long recordings now make it all the way to the end. No more half-blank subtitles. The Zoom tool auto-generates cinematic push-ins from your speaker's face. And the floating controls panel finally stays put across spaces and full-screen apps.
DetailsHideA heavy polish round driven by your feedback. The screenshot editor is now nearly fully unlocked on Free. Region recording finally records exactly the rectangle you draw. Select Subject feels effortless. And every paywall moment explains itself before sending you anywhere.
DetailsHideA round of polish on the screenshot editor, driven by your feedback. New history panel, smarter layer behavior, layers that survive a crop, and a much smoother Compare drop zone.
DetailsHideThree big threads land together. The editor preview now plays exactly what export will produce, edits and all. A new Quick Access overlay drops every screenshot into a floating panel for one-tap drag-out. And the floating bar, dock icon, and splash got the full Liquid Glass redesign.
DetailsHideTen fixes from a top-to-bottom audit of the video editor. AI passes are individually cancellable. Audio-polish EQ and noise reduction render live in the preview as you drag. Object tracking won't run out of memory on long videos. And exports bail with a clear error if your disk is full, before you waste 30 minutes.
DetailsHideHotfix for the Before & After export sheet. The preview rendered black on some setups, and the Generated Code panel showed unreadable single-line blobs. Both now show what you'd expect: the actual rendered preview and human-readable code.
DetailsHideA quiet maintenance release. Closed the open loops from the 1.2.x sprint: confirmed pins persist correctly across every flow, and re-verified Compare exports across all formats. Nothing changes in the UI; this one is about confidence.
DetailsHidePick a comparison, hit Share to Web, and OwnClip uploads the assets to your own Google Drive. You get a copy-paste embed snippet that works anywhere. Every URL already points at your Drive, no extra setup. The files stay yours.
DetailsHideTwo fixes to the Before & After exporter. The live preview in the export sheet now renders properly instead of going black, and animated/interactive exports now produce a clean folder of separate files instead of one giant blob, ready to drop on a server or paste into a CMS.
DetailsHideBefore & After, Beautify, and device mockups
A build-numbering mistake in 1.2.5 silently disabled auto-update for users on earlier 1.2.x versions: the app couldn't tell that newer releases were actually newer. 1.2.7 fixes the numbering so the next update check delivers every recent release.
DetailsHideDrop your screenshot into a device frame (iPhone, iPad, MacBook, or wall-mounted LED TV) for app-store shots, marketing decks, and 'here's how it looks on a real device' moments. The Beautify panel itself is now resizable, and the Quick Access overlay is cleaner across the board.
DetailsHideThe post-capture overlay is now fully drivable from the keyboard. Every tile gets the same hover actions. The auto-dismiss countdown is visible. Plus: macOS 15 Sequoia is now the minimum supported version.
DetailsHideThe Compare drop zone now tells you what to do next. Tapping a Library thumbnail fills the next empty slot. The file picker accepts two images at once. And when you've picked one, the empty slot now invites you to fill it instead of looking decorative.
DetailsHideThree new picks for Beautify. Smart Palette generates a background that matches your screenshot's colors. Studio users get a 'Match your brand' card built from their brand colors. And a hold-to-compare button above the canvas lets you A/B the styled and raw view in a single press.
DetailsHideOpen Beautify and three AI-curated picks land in your lap before you touch a single slider. Click one and you're done. Every previous capability is still here, just one tap away when you actually want to fiddle.
DetailsHideTwo regressions fixed same-day. The Compare preview wasn't animating: scrubber and Play did nothing. The floating recording controls flashed when you hovered their buttons. Both gone.
DetailsHideThe toggle that decides whether OwnClip's own UI appears in screenshots and recordings is now one global setting in Settings → General, covering every form of capture in one place.
DetailsHideReplaced the two-card UI from 1.1.4 with a single toggle that sits alongside Microphone, System audio, and Camera overlay in Capture Sources. One look, one decision.
DetailsHideNew choice in Recording settings: Hide OwnClip (recordings show only your work) or Capture everything (perfect for tutorials and product demos). Takes effect live, no restart.
DetailsHideTwo small annoyances fixed. The floating recording controls no longer get covered by other apps' floating windows. And the 'Recent from Library' strip in Compare populates the moment you open it instead of waiting for the next screenshot.
DetailsHideThe empty state of the Compare tool now shows a strip of recent images from your Library. Tap one to fill the next empty slot. Drag-drop and the file picker still work the same way.
DetailsHideBefore & After now has a dedicated sidebar entry under Creative, right next to Brand Studio. The ⌘⇧K shortcut still works if you prefer it.
DetailsHideDrop two screenshots into the new Compare window, pick a transition, and OwnClip composes them on a Beautify background, then exports as MP4, GIF, animated SVG, or a self-contained interactive HTML embed. Studio tier.
DetailsHideThe WhatsApp brand icon in the Smart Share sheet was rendering as a distorted shape on some Macs. Every share icon (WhatsApp, Telegram, X, LinkedIn) now matches its official brand mark, pixel-correct at every size.
DetailsHideSwitching microphones or toggling Voice Isolation in rapid succession used to leave the audio engine stuck. Your last click silently dropped. Every change now executes in order, no matter how fast you mash them.
DetailsHideTurning Voice Isolation off used to leave the EQ visualizer empty for some microphone setups. The EQ + spectrum now keep working through every toggle, no matter which mic you've selected.
DetailsHideThe EQ visualizer went silent for some setups after 1.0.38. This release simplifies the audio path so it stays alive in every Voice Isolation state.
DetailsHidePublic beta
Voice Isolation now removes room tone and background noise the way the switch promises, without thinning your voice.
DetailsHideThe Camera tab settings now actually do what they look like they do, and we added a server-controlled announcements channel so we can reach you between releases.
DetailsHideOwnClip is shipping fast and openly. Expect new features every week, and the occasional rough edge while we get there.
DetailsHideContinued polish on the Smart Share redesign and library experience. The next time you launch OwnClip, it updates itself in the background.
DetailsHideA full redesign of the share sheet: Liquid Glass surfaces, recipient-eye preview, and Google Contacts autocomplete (Pro/Studio).
DetailsHideSkip the daily meeting. Record a 60-second walkthrough of what you shipped, drop the link in Slack, and your team watches when they want.
DetailsHide"Works on my machine" dies when the bug report is a 30-second clip with annotations and a transcribed steps-to-reproduce.
DetailsHideRecord, chapter, transcribe, and ship a polished course video without leaving OwnClip, and without uploading raw footage to anyone's cloud.
DetailsHideBackground blur or a virtual scene, Smart Framing, Auto-Light, and AI noise removal. Recorded once, sent to twenty prospects.
DetailsHideEvery update ships to everyone who already owns OwnClip. Follow via RSS · JSON feed